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| Azzaroni, Loris |
To go into analysis, contribution to round table Musical analysis in the work of the historian, the musicologist ... |
number 0 (september 1998) |
| Baroni, Mario | Letter from Mario Baroni | vol. II / 2 (december 2001) |
| Baroni, Mario | Contribution to round table Musical analysis in the work of the historian, the musicologist ... | number 0 (september 1998) |
| Bianchi, Enrico | “Potential”
Complexities in the Interpretations of Aguas de Março by Antônio Carlos Jobim |
vol. III / 2 (october 2007) |
| Cascelli, Antonio | [review to] C. Hasty, Meter as Rhythn | vol. I / 1 (january 2000) |
| Curinga, Luisa | Parallel Paths: Historical-documentary and analytical contributions as a basis for the performance of Debussy's Syrinx | vol. II / 2 (december 2001) |
| Dalmonte, Rossana | Contribution to round table Musical analysis in the work of the historian, the musicologist ..... | number 0 (september 1998) |
| D'Ambrosio, Wilma | [review to] W. Gieseler, Komposition im 20, Jahrhundert. Details-Zusammenhänge | vol. I / 1 (january 2000) |
| Doati, Roberto | Analysis and electronic culture, contribution to round table Musical analysis in the work of the historian, the musicologist ... | numero 0 (september 1998) |
| Drabkin, William | Analysis as a Practical Tool: A Case Study, contribution to round table Musical analysis in the work of the historian, the musicologist ... | numero 0 (september 1998) |
| Gabrieli, Maurizio | [review to] Musical Networks. Parallel Distributed Perception and Performance, a cura di N. Griffith e P. M. Todd, | vol. I / 2 (october 2000) |
| Giomi, Francesco | Analisi e tecnologia | vol. II / 1 (september 2001) |
| Mangani, Marco | Proposal for a method of segmentation for the analysis of the lighter forms between the sixteenth and seventeenth centuries | vol. II / 1 (september 2001) |
| Montali, Alessandra | Music analysis in the theoretical, interpretative, historical and didactic study of music: the Fourth Convention of Analitica (Istituto "G. Lettimi", Rimini 2006) | vol. III / 1 (dicembre 2006) |
| Piazza, Giovanni |
Analytical Practices in Basic Musical Education, contribution to round table Musical analysis in the work of the historian, the musicologist ... |
numero 0 (september 1998) |
| Pozzi, Egidio | Editorial (october 2007) | vol. III / 2 (october 2007) |
| Pozzi, Egidio | Editorial (december 2006) | vol. III / 1 (december 2006) |
| Pozzi, Egidio | Editorial (december 2001) | vol. II / 2 (december 2001) |
| Pozzi, Egidio | Editorial (september 2001) | vol. II / 1 (september 2001) |
| Pozzi, Egidio | Editorial (october 2000) | vol. I / 2 (october 2000) |
| Pozzi, Egidio | La didattica dell'analisi nei Conservatori e nelle Università italiane: Teoria della musica e interpretazione analitica | vol. I / 2 (october 2000) |
| Pozzi, Egidio | The Theoretical Concept of Linear Progression and its Analytical Significance: The Largo of Arcangelo Corelli’s Ciacona, Opus II, no. 12 | vol. I / 1 (january 2000) |
|
Pozzi, Egidio - Renoldi, Marco |
Editorial (september 1998) | numero 0 (september 1998) |
| Russo, Marco – Dalmonte, Rossana – D'Andrea, Vincenzo | Choosing Music in the Internet Era | vol. III / 2 (october 2007) |
| Sanguinetti, Giorgio | Analysis and Tempo Variations: Chopin's Polonaise Op. 53 | vol. I / 2 (october 2000) |
| Scarpellini - Pancrazi, Francesco | Il corso sperimentale di Teoria e Analisi al Conservatorio di Messina | vol. I / 1 (january 2000) |
| Venturini, Piero | Beethoven revisiting his own past: some considerations on the relationship between the last two Sonatas and Op. 10 n. 1 | vol. III / 1 (december 2006) |
