Home » Pubblicazioni » Rivista di Analisi e Teoria Musicale (RATM) » Anno 2014/1-2 » An Outlandish As-If: The Rock and Pop Passacaglia

An Outlandish As-If: The Rock and Pop Passacaglia

Allan F. Moore - pag. 259-290

In this essay I observe the repeating harmonic patterns of much popular song over the past sixty years through the lens of passacaglia. Although I draw distinctions and similarities with aspects of classical practice, my emphasis is on the popular tradition. The analytical portion of the essay finishes with a comparative analysis of the song Witchi Tai To, which leads to the conclusion that, across the more than fifty examples I take, three principles can be observed and related to passacaglia practice: the unchallenged cyclical nature of repeating patterns; the frequent presence of downward leading bass lines; and the possibility of reaching for a climactic point, often through textural density. I then move to a more speculative, interpretive approach which grounds these patterns in three of Mark Johnson’s embodied schemata, concluding that, if the sonata principle offers a music of becoming, the passacaglia principle offers a music of being.

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