The Fourth Piece of Schumann’s Kreisleriana, Op. 16, as a Musical Fragment: Discontinuity and Unity Intertwined
I nuovi mondi di Albert Simon: ipotesi di una nuova tonalità
Toward a Theory of Synaesthetic Composition: A Case Study of Messiaen’s Sound-Colour and Bedazzlement
Lo stile nello studio: composizione e interpretazione nella produzione di Fabrizio De André e Ivano Fossati
Recensione di Friedemann Sallis, Robin Elliott, Kenneth DeLong, Centre and Periphery, Roots and Exile: Interpreting the Music of István Anhalt, György Kurtág, and Sándor Veress, Wilfrid Laurier University Press, Waterloo (Ontario) 2011.
Recensione di Mark Hijleh, Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music Across Human Cultures, Ashgate, Farnham 2012
Notizie sugli autori / Notes on contributors
Anno 2022/2
Anno 2022/1
Anno 2021/2
20th International Conference on Music Analysis and Theory - Deadline extension
Forum dei Licei Musicali - II Edizione
XX International Conference on Music Theory and Analysis – Call for papers
Artistic Research - Call for Articles
TimeTable International Conference of Music Analysis and Theory
XIX International Conference of Music Analysis and Theory
Master Universitario di I livello Analisi e Teoria Musicale (Nona Edizione A.A. 2022–23)