Improvvisare l’emozione nel suono. L’espressività musicale tra teoria della persona ed enattivismo

After presenting the main theoretical orientations in the contemporary philosophical debate on the topic of musical expressiveness, in this article I will discuss the solution to the question of musical expressiveness that, also considering recent developments in the field of musical psychology, I take as the most interesting and compelling one: the person theory. Finally, by resorting to the enactivist theories of human mind, I will suggest that an improvisational dimension, linked to the concrete situativity of performative (inter)action, is proper to musical expressiveness.