“A True and Genuine Music”: Berg’s Linear Counterpoint
In the Quest for Variety: Analysis of Performances of the Prelude from Bach’s Cello Suite no. 4, BWV 1011
New compositional paths between Carter’s harmony and post-structuralism: a grammatological approach to the Harmony Book
Notizie sugli autori/Notes on contributors
Anno 2025/1
Anno 2024/2
Anno 2024/1
XXIII International Conference on Music Theory and Analysis, Definitive Schedule
Extension of submission deadline for Salerno and Rimini 2026
XXIII International Conference on Music Theory and Analysis, Call for papers
Notizie_sugli_autori.pdf
